A T&T working paper: http://ssrn.com/abstract=2473235. The five pieces have been previously published on New Savanna.
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Abstract: How did Western culture get from Shakespeare’s Caliban to Bill Cosby’s Dr. Cliff Huxtable? This essay examines that trajectory by consider six imaginative works: Shakespeare’s The Tempest, Twain’s The Adventures of Huckleberry Finn, Forster’s A Passage to India, Faulkner’s Light in August, Zemeckis’s Who Framed Roger Rabbit, and The Cosby Show. The focus is on the projective dynamics of racisim where the racial Other is made to express feelings and desires that the dominant culture denies.
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The concept of freedom did not emerge in a vacuum. Nothing highlighted freedom—if it did not in fact create it—like slavery. . . . For in that construction of blackness and enslavement could be found not only the not-free but also, with the dramatic polarity created by skin color, the projection of the not-me. The result was a playground for the imagination. What rose out of collective needs to allay internal fears and to rationalize external exploitation was an American Africanism—a fabricated brew of darkness, otherness, alarm, and desire that is uniquely American.
– Toni Morrison, Playing in the DarkThere’s a young black boy on my job and those white cats have made him tell them so many lies about what they call his love life that he can’t tell whether he’s coming or going. They want to believe that we screw like dogs or cats–you know, just go out there and get you a piece, just like they might scratch their backs or get a glass of water. . . Another thing, if we were just like dogs, then all the rotten things they have done and are doing to us would be okay!
– Clifford Yancy, in John Langston Gwaltney, Drylongso
Introduction: A Universe of Symbols
Each culture has a universe of symbols through which its members understand themselves and one another. We use these symbols to elaborate our mental world and to communicate with one another, for symbolism gives graphic and linguistic form to our feelings and desires. The olive branch and white dove of peace, the blood-red planet Mars betokening war, the serpent of wisdom, or of life and healing, are examples of such symbols. American society is culturally diverse. While all Americans may share some symbols–perhaps the American flag, the Thanksgiving turkey–other symbols belong to specific cultures. Each subculture has its own symbolic universe, with its own symbols.
European-American culture includes a vast network of symbols, a network in which African-Americans have played, and continue to play, an important role. The way whites symbolize blacks has more to do with the hearts and minds of whites than it does with black reality. Thus if we are to understand the role that black culture has played in the development of general American culture, we will need to understand the role that white culture has already assigned to blacks. The subject is vast, but we don’t need to survey it all in order to get the lay of the land. A few examples will serve. Continue reading
Truth and Traditions 