The dots are beginning to form up. I’m starting to connect them. Of course, that doesn’t mean that the pattern that emerges is really there. Is the Big Dipper really there? Or is it really a Big Bear? Or just stars?
What I’m looking at is the disappearance of animals from daily life and the rise of funny animal cartoons. Then we get nature films in the theaters and on TV and funny animals begin disappearing from cartoons. And then we have animal rights movements and animal studies begins showing up in the academy.
Causal connection or mere historical sequence?
Don’t know. For that matter, don’t really know if it makes sense as a mere historical sequence. But I’m thinking about it.
Urbanization and Funny Animal Cartoons
So, there’s a big migration from rural America to the cities in the first half of the 20th Century. At the same time animation gets invented and funny animals take over cartoons. There’s an argumentthat there’s a causal connection between the two–see Evolutionary Alienation for pointers. Funny animal cartoons are somehow a reflex of, compensation for, the retreat of animals from our lives.
Those cartoons were theatrical—had to be, as TV didn’t exist. They played before feature films, often as parts of integrated programs that included newsreels, short subjects of various kinds, cartoons, and two features, the main feature (an A movie) and a secondary feature (B movie). People of all ages went to see these programs. Cartoons weren’t for kids.
But cartoons WERE for things you can’t readily do in live action. That’s doctrine. Paul Wells quoting Chuck Jones (The Animated Bestiary, p. 108): Continue reading