Early yesterday afternoon I found myself sitting in the sanctuary at St. Bartholomew’s Episcopal Church in Manhattan. The Parish was founded in 1835; this is its third church, built in the second decade of the 20th Century. It is Byzantine in style, with glittering mosaics on the interior.
The pipe organ is the largest in New York City, and one of the ten largest in the world. I didn’t know this when I sat there yesterday, as that was the first time I’d even been in the church. “Byzantine” didn’t even click in my mind, yesterday as I sat between my sister and her friend, Yoshiko, but I was certainly thinking “icons” (“iconoclasm”), “Greek Orthodox,” and even “Russian,” the conjunction of which all but added up to Byzantine. But didn’t. This was, after all, an Episcopal Church, no?
Yes.
The Wikipedia tells me that it is this parish that brought Leopold Stokowski from Europe in 1905 to be its organist and choir director.
Holy crap! says I to myself, no way!
Way.
Stokowski went on to direct the Philadelphia Symphony Orchestra, and had become something of a celebrity when, over 30 years later, he ran into Walt Disney at a restaurant in Los Angeles. Walt invited him over to his table and Fantasia was hatched. Not then and there, mind you, it took awhile. But that’s when the wheels started turning.
Walt’s father, Elias, had been one of many carpenters who worked on The Chicago World’s Fair in 1893. And that fair featured a Japanese exhibit and pavilion on a small 16 acre in a lagoon. It was the unexpected hit of the fair and the first time most Westerners had had any contact with the Japanese, who’d only recently been subject to forced entry by Admiral Perry in 1853. Continue reading
Truth and Traditions 