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Political Connections: Lafayette to Montpelier

19 Sep

On the one hand I’m involved in projects in my neighborhood (Lafayette in Jersey City, NJ), most notably a community garden, but also an anti-litter campaign, and I’m looking to do something with music. On the other hand I just got back from a trip to northern Vermont where I was part of a five-state aggregation of nine musicians that provided music for a conference on Vermont independence, which means Vermont seceding from the United States and establishing itself as a sovereign nation once again (Vermont was a republic between 1777 and 1791).

What do these two spheres of activity have to do with one another? What are the connections?

Some People Links

There is, of course, the fact that I’m involved in both sets of these arenas. I live in the Lafayette neighborhood of Jersey City and am working to make it a better neighborhood. Lafayette’s my home.

I traveled to Vermont at the behest (when was the last time I used that word?) of Charlie Keil, an intellectual and musical compatriot. Charlie is an anarchist, as am I, and a pacifist, ditto. We were both conscientious objectors during our years of draft eligibility. And we’re both musicians.

In particular, Charlie is interested in getting more people to make live music and he’s interested in what he calls a 12/8 Path band, which is a strolling brass band at home in 12/8 time. We’ve played many demonstrations together in New York City, including a large anti-war demonstration prior to the invasion of Iraq and an anti-nuclear demonstration where Japanese and out-numbered everyone else.

But, how’s that get us to Vermont celebrating the future independence of Vermont? Simple, really. Charlie believes in “small is beautiful” and I’m OK with it. Breaking the USofA into a number of smaller and more flexible states seems like a reasonable thing to do. That’s something advocated by Thomas Naylor, an economist and an activist for Vermont independence. It’s Naylor who brought Charlie to Vermont and I came along.

Me and a bunch of other guys. Since this post is about connections I could legitimately talk about these others. But I won’t. For one thing, that could easily go on and on and on as I start moving out along those networks. For another, I don’t know much about most of them except that they’re good and versatile musicians, which I learned from playing with them, some of the for the first time in Vermont. But I’ll mention one, trombonist Steve Swell, who’s sympathetic to Charlie’s politics and mine. You can track his musical links through his Wikipedia entry. Also, Steve’s loosely familiar with my neighborhood as he went to college in Jersey City. Continue reading →

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Celebrating the Future Independence of Vermont, at the Vermont Statehouse in Montpelier: Toward a Politics of Jubilee

16 Sep

I spent Friday, 14 September in and around the Vermont Statehouse. Sometime back in the mists of history past some good Vermont citizens decided that, in the face of the cancerous growth of the American state, that Vermont folks of conscience and caring had to organize and urge their fellow Vermonters to secede from the Union. And so the Vermont Independence Party (VIP) was born.

And Friday was their third state-wide convention, with visitors from several other states as well. This convention was organized toward the reading of The Montpelier Manifesto, listing 29 grievances against the Federal Government of the United States of America and urging secession. The conference was held in the House Chamber of the Vermont Statehouse, for it seems that, by law, Vermont citizens have the right to occupy use the statehouse when it is not otherwise in use.

I was there with the Northeast Irregulars, a contingent of the New York Path to Peace, organized by Charlie Keil. We brought musicians from Jersey City, New York City, Connecticut, and Vermont. At least.

Here’s some photographs of that glorious day. I apologize to all those who were there for the celebration but not in these photos.

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That’s Charlie Keil on the right and Jack Lazarowski on the left. Jack and his wife Linda put Charlie and I up for the night. Thanks, Jack and Linda!

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Julie Buck and Rob Williams at the podium on the House Chamber. They were co-chairs for the event. Continue reading →

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Michelle Obama and the Stealth Transition: Gardens Across America

31 Aug

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The way I see it, the smart money is on First Lady Michelle Obama, not to do a Hillary and go for the Big One in a later Presidential Ritual Contest (aka election). No, to do an Eleanor (Roosevelt) and have a major effect on the nation while her husband does the military strut.

How, pray tell, will she do this? you ask. With her garden, says I, with her garden.

Veggies for Health

As you may know, she’s very much interested in gardening, in particular, growing vegetables. She’s set up a garden on the Whitehouse lawn, grown veggies, had them served in the Whitehouse and has recently published a book on gardening and nutrition.

That’s her angle on gardening. Vegetables are good and good for you. They’re essential to a proper diet, and a proper diet is necessary to prevent childhood obesity.

Her interest in and commitment to gardening is deep, predating her husband’s nomination:

“Back then, it was really just the concept of, I wonder if you could grow a garden on the South Lawn?” Michelle Obama says. “If you could grow a garden, it would be pretty visible and maybe that would be the way that we could begin a conversation about childhood health, and we could actually get kids from the community to help us plant and help us harvest and see how their habits changed.”

She was a city kid from Chicago’s South Side who had never had a garden herself, though her mother recalls a local victory garden created to produce vegetables during World War II. One childhood photo included in the book shows Michelle as an infant in her mother’s arms — the resemblance between Marian Robinson in the picture and Michelle as an adult is striking — and another depicts a young Michelle practicing a headstand in the backyard.

… After the election, she broached her idea to start the first vegetable garden on the White House grounds since Eleanor Roosevelt’s victory garden in the 1940s.

Since the garden’s groundbreaking in 2009 — just two months after the inauguration — she has hosted seasonal waves of students from local elementary schools that help plant the seeds. Groundskeepers and dozens of volunteers weed and tend the garden. Charlie Brandts, a White House carpenter who is a hobbyist beekeeper, has built a beehive a few feet away to pollinate the plants and provide honey that Michelle Obama says “tastes like sunshine.”

So, the First Lady has a garden on the Whitehouse lawn and she’s preaching the garden gospel. Good enough.

Gardens in the Transition

The thing is, regardless of why a family or a community decides to grow a vegetable garden, the moment they start doing so, they’re also participating in the Transition Movement. By that I mean the movement started by Rob Hopkins in England and that now has groups all over the world: Continue reading →

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Curators’ Statement: Spontaneous Interventions – Design – Architect Magazine

29 Aug

Cities have always been built by their citizens. For millennia this was literally so and our cities have grown though myriad forms of participation and creativity into a brilliant synthesis of the ideas and actions of millions. The exponential growth of the modern city has also inadvertently estranged us from a role in shaping it. For many, the city seems just too big, too intractable, too inaccessible. But around the world, scores of people and organizations are intervening directly in their own environments, bringing incremental improvements to their streets, blocks, and neighborhoods. These acts of micro-urbanism, of informal urban design, are characteristically small in scale, and often temporary—the opposite of the qualities we traditionally associate with good design—yet their power resides not so much in their forms as in their impacts, in their immediate ability to infuse places with value and meaning.

via Curators’ Statement: Spontaneous Interventions – Design – Architect Magazine.

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Raising the Ritalin Generation – NYTimes.com

19 Aug

It struck us as strange, wrong, to dose our son for school. All the literature insisted that Ritalin and drugs like it had been proved “safe.” Later, I learned that the formidable list of possible side effects included difficulty sleeping, dizziness, vomiting, loss of appetite, diarrhea, headache, numbness, irregular heartbeat, difficulty breathing, fever, hives, seizures, agitation, motor or verbal tics and depression. It can slow a child’s growth or weight gain. Most disturbing, it can cause sudden death, especially in children with heart defects or serious heart problems.

More than likely it IS wrong to drug kids for school. There are lots of things wrong with primary school. One of them is that kids don’t get as much physical activity as they used to, and what we got was not enough. Schools don’t have recess as often as they used to. No wonder kids get fidgety. Rough-and-tumble-play is built into the mammalian life-world. Our bodies and brains need and want it. Also, school is so boring.

For a different perspective on ADHD see Music and the Prevention and Amelioration of ADHD: A Theoretical Perspective.

via Raising the Ritalin Generation – NYTimes.com.

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For Health Aging, A Late Act in the Footlights – NYTimes.com

15 Aug

That’s why the Burbank Senior Artists Colony is remarkable. Opened in 2005, it is a mix of market-rate and low-income apartments. The building looks like an upscale hotel but is built for the arts, with studios, a video editing room, a theater and classrooms.

Residents may arrive with no previous artistic experience or skill as an artist — but artists they become. The theater group that Sally Connors participates in is working with a troupe in London, via Skype, to write and perform a soap opera. Walter Hurlburt shows his oil paintings — for sale — at the colony’s periodic art exhibitions. Residents work with students from a nearby alternative high school to do improv theater, make claymation films and art from recycled items. Suzanne Knode wrote a short movie, “Bandida,” about an elderly woman who takes the bus to rob a convenience store. Then the residents filmed it — and Ira Glass’s “This American Life” television show filmed them — and submitted the film to the Sundance Film Festival. “A pistol, a plan, and sensible shoes,” says the poster.

There’s a video at the link.

via For Health Aging, A Late Act in the Footlights – NYTimes.com.

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Cities Like Flowers

15 Aug

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Cultural Style: Jazz & B’ball, Classical & Football, and Beyond

10 Aug

This is a set of out-takes from my book on music, Beethoven’s Anvil: Music in Mind and Culture. In this passage I’m pursing a notion from mid-20th Century, an idea that provided Ruth Benedict for the title of her best-known book: Patterns of Culture. The title conveys the idea: cultures aren’t arbitrary collections of attitudes, activities, and traits; in matters large, small, and in-between they display patterns.

I begin with a passage that contrasts jazz and classical music on the one hand with basketball and football on the other, where jazz and basketball embody one style while classical music and football embody a different style. I then continue with a series of passages that move on from that to general styles of corporate organization, contrasting the hierarchical industrial corporation with the flatter and more fluid style that has emerged in high tech companies. I conclude some brief observations from my experience with one such company.

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First, confining ourselves to the expressive sphere, let’s consider two brief examples from sports, which is, in many ways, a microcosm of the larger society. It is not difficult to see a thematic similarity between classical music and football, on the one hand, and jazz and basketball, on the other hand.

Football involves highly specialized players organized into elaborately structured units, enacting preplanned plays, and directed by a quarterback representing the coach/composer. Each team has eleven players on the field at a time, with the players being trained for very specialized roles. There is an offensive squad and a defensive squad—not to mention special-purpose units for executing and returning kicks. Each of these squads is, in turn, divided into a line and a backfield, with further specialization in each of these divisions. The offensive team is headed by the quarterback while the defense is similarly directed by one of the backfield players. The flow of the game is divided into four quarters each of which is punctuated by the individual plays of the game. The plays are divided into sets of four, called “downs”, with the players conferring between plays to decide what to do on the next play, or, at least, to confirm instructions sent in by the coach.

Basketball uses a smaller number of players, five, whose roles are less rigorously specialized. There is no distinction between offensive and defensive squads. And, while there are differentiated roles—a center, two guards and two forwards—this differentiation is not nearly so extensive as that in football. For example, on the offensive squad in football, there is a dramatic distinction between the interior line, whose players do not routinely handle the ball, and the backfield, whose players are supposed to handle the ball. No such distinction exists in basketball; all players are expected to handle the ball and to score. Beyond this, basketball involves a free flowing style of play which is quite different from discrete plays of football. Continue reading →

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Take a Nap Already (Science Said So!) – Kasia Cieplak-Mayr von Baldegg – The Atlantic

7 Aug

ASAP Science explains how “power naps” boost productivity, memory, and creativity. The trick, they say, is timing: waking up at the right phase of the sleep cycle will leave you feeling rested, but not groggy.

via Take a Nap Already (Science Said So!) – Kasia Cieplak-Mayr von Baldegg – The Atlantic.

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Learned Helplessness and Voter Apathy

24 Jul

There are things that are important to us, and things that are not. There are things that we can control, and things that we cannot. Our ability, or not, to control unimportant things is of little consequence. It is otherwise with our ability to control important things.

We cannot control the weather, for example, not very much. Nor can we control the fact that we, and everyone we know, is going to die. Yes, we may have some limited control over the timing and circumstances but the fact of death itself is beyond our control.

So how do we deal with those things that are enormously important to us, but which we cannot control?

Learned Helplessness

I want to come back to that, but for now let’s set it aside and think about learned helplessness, a phenomenon identified by Martin Seligman and his colleagues in the late 1960s. Here’s a typical experiment as explained in the Wikipedia entry:

In Part 1 of Seligman and Steve Maier’s experiment, three groups of dogs were placed in harnesses. Group 1 dogs were simply put in the harnesses for a period of time and later released. Groups 2 and 3 consisted of “yoked pairs.” A dog in Group 2 would be intentionally subjected to pain by being given electric shocks, which the dog could end by pressing a lever. A Group 3 dog was wired in series with a Group 2 dog, receiving shocks of identical intensity and duration, but his lever didn’t stop the electric shocks. To a dog in Group 3, it seemed that the shock ended at random, because it was his paired dog in Group 2 that was causing it to stop. For Group 3 dogs, the shock was apparently “inescapable.” Group 1 and Group 2 dogs quickly recovered from the experience, but Group 3 dogs learned to be helpless, and exhibited symptoms similar to chronic clinical depression.

That is to say, the dogs in Groups 1 and 2 did not appear to be depressed. The experiment had a second part:

In Part 2 of the Seligman and Maier experiment, these three groups of dogs were tested in a shuttle-box apparatus, in which the dogs could escape electric shocks by jumping over a low partition. For the most part, the Group 3 dogs, who had previously learned that nothing they did had any effect on the shocks, simply lay down passively and whined. Even though they could have easily escaped the shocks, the dogs didn’t try. Continue reading →

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