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Don’t Waste the Drought – NYTimes.com
17 AugWE’RE in the worst drought in the United States since the 1950s, and we’re wasting it.
Though the drought has devastated corn crops and disrupted commerce on the Mississippi River, it also represents an opportunity to tackle long-ignored water problems and to reimagine how we manage, use and even think about water….
But just as the oil crisis of the 1970s spurred advances in fuel efficiency, so should the Drought of 2012 inspire efforts to reduce water consumption.
Our nation’s water system is a mess, from cities to rural communities, for farmers and for factories. To take just one example: Water utilities go to the trouble to find water, clean it and pump it into water mains for delivery, but before it gets to any home or business, leaky pipes send 16 percent — about one in six gallons — back into the ground. So even in the midst of the drought, our utilities lose enough water every six days to supply the nation for a day. You can take a shorter shower, but it won’t make up for that.
The good news: There are a number of steps that together can change, gradually but permanently, how we use water and how we value it. Some can be taken right now.
For Health Aging, A Late Act in the Footlights – NYTimes.com
15 AugThat’s why the Burbank Senior Artists Colony is remarkable. Opened in 2005, it is a mix of market-rate and low-income apartments. The building looks like an upscale hotel but is built for the arts, with studios, a video editing room, a theater and classrooms.
Residents may arrive with no previous artistic experience or skill as an artist — but artists they become. The theater group that Sally Connors participates in is working with a troupe in London, via Skype, to write and perform a soap opera. Walter Hurlburt shows his oil paintings — for sale — at the colony’s periodic art exhibitions. Residents work with students from a nearby alternative high school to do improv theater, make claymation films and art from recycled items. Suzanne Knode wrote a short movie, “Bandida,” about an elderly woman who takes the bus to rob a convenience store. Then the residents filmed it — and Ira Glass’s “This American Life” television show filmed them — and submitted the film to the Sundance Film Festival. “A pistol, a plan, and sensible shoes,” says the poster.
There’s a video at the link.
via For Health Aging, A Late Act in the Footlights – NYTimes.com.
Behind Nuclear Breach, a Nun’s Bold Fervor – NYTimes.com
11 AugShe has been arrested 40 or 50 times for acts of civil disobedience and once served six months in prison. In the Nevada desert, she and other peace activists knelt down to block a truck rumbling across the government’s nuclear test site, prompting the authorities to take her into custody.
She gained so much attention that the Energy Department, which maintains the nation’s nuclear arsenal, helped pay for an oral history in which she described her upbringing and the development of her antinuclear views.
Now, Sister Megan Rice, 82, a Roman Catholic nun of the Society of the Holy Child Jesus, and two male accomplices have carried out what nuclear experts call the biggest security breach in the history of the nation’s atomic complex, making their way to the inner sanctum of the site where the United States keeps crucial nuclear bomb parts and fuel.
via Behind Nuclear Breach, a Nun’s Bold Fervor – NYTimes.com.
Cultural Style: Jazz & B’ball, Classical & Football, and Beyond
10 AugThis is a set of out-takes from my book on music, Beethoven’s Anvil: Music in Mind and Culture. In this passage I’m pursing a notion from mid-20th Century, an idea that provided Ruth Benedict for the title of her best-known book: Patterns of Culture. The title conveys the idea: cultures aren’t arbitrary collections of attitudes, activities, and traits; in matters large, small, and in-between they display patterns.
I begin with a passage that contrasts jazz and classical music on the one hand with basketball and football on the other, where jazz and basketball embody one style while classical music and football embody a different style. I then continue with a series of passages that move on from that to general styles of corporate organization, contrasting the hierarchical industrial corporation with the flatter and more fluid style that has emerged in high tech companies. I conclude some brief observations from my experience with one such company.
* * * * *
First, confining ourselves to the expressive sphere, let’s consider two brief examples from sports, which is, in many ways, a microcosm of the larger society. It is not difficult to see a thematic similarity between classical music and football, on the one hand, and jazz and basketball, on the other hand.
Football involves highly specialized players organized into elaborately structured units, enacting preplanned plays, and directed by a quarterback representing the coach/composer. Each team has eleven players on the field at a time, with the players being trained for very specialized roles. There is an offensive squad and a defensive squad—not to mention special-purpose units for executing and returning kicks. Each of these squads is, in turn, divided into a line and a backfield, with further specialization in each of these divisions. The offensive team is headed by the quarterback while the defense is similarly directed by one of the backfield players. The flow of the game is divided into four quarters each of which is punctuated by the individual plays of the game. The plays are divided into sets of four, called “downs”, with the players conferring between plays to decide what to do on the next play, or, at least, to confirm instructions sent in by the coach.
Basketball uses a smaller number of players, five, whose roles are less rigorously specialized. There is no distinction between offensive and defensive squads. And, while there are differentiated roles—a center, two guards and two forwards—this differentiation is not nearly so extensive as that in football. For example, on the offensive squad in football, there is a dramatic distinction between the interior line, whose players do not routinely handle the ball, and the backfield, whose players are supposed to handle the ball. No such distinction exists in basketball; all players are expected to handle the ball and to score. Beyond this, basketball involves a free flowing style of play which is quite different from discrete plays of football. Continue reading
After Knight Capital, New Code for Trades – NYTimes.com
9 AugSoftware is buggy. Some of my buddies in the industry tell me that it IS possible to write reliable code, but very expensive. So expensive and time-consuming that it is almost never done. Think about that for a minute. We live in a too-big-too-fail world that’s held together by software that’s almost guaranteed to fail. Sometime.
AS a former software engineer, I laughed when I read what the Securities and Exchange Commission might be considering in response to the debacle of Knight Capital’s runaway computerized stock trades: forcing companies to fully test their computer systems before deploying coding changes.
That policy may sound sensible, but if you know anything about computers, it is funny on several accounts.
via After Knight Capital, New Code for Trades – NYTimes.com.
What Was Revealed When the Lights Went Out in India : The New Yorker
6 AugBut power cuts are hardly uncommon in India, which is why offices and factories have diesel generators and the homes of the better-off come equipped with battery backup systems. (Basharat Peer has written about how strategies for shortages are woven into daily life.) Many people caught in the middle of the world’s biggest power outage experienced it as a brief flicker of the lights.
That is to say, not having become so addicted to a centralized power grid as the advanced Western nations, India is not so vulnerable to failures in the grid. It’s more resilient.
via What Was Revealed When the Lights Went Out in India : The New Yorker.
Tim Morton: Beyond Apocalypse
11 JulFrom Timothy Morton. The Ecological Thought. Harvard UP 2010, p. 19:
The ecological thought must transcend the language of apocalypse. It’s ironic that we can imagine the collapse of the Antarctic ice shelves more readily than we can the collapse of the banking system—and despite this, amazingly, as this book was written, the banking system did collapse. The ecological thought must imagine economic change; otherwise it’s just another piece on the game board of capitalist ideology. The boring, rapacious reality we have constructed, with its familiar, furious, yet ultimately state whirl, isn’t the final state of history. The ecological society to come will be much more pleasurable, far more sociable, and ever so much more reasonable than we imagine.
Yes. By all means, transcend apocalypse, transcend capitalism. The future CAN be better.
At the same time I want to imagine the worst. Climate change: Whooossshhhhh and crunch. Billions will suffer and die. Humans, but not only humans. Other flora and fauna as well. Trillions upon trillions.
We humans may well climate-change ourselves to extinction. But the earth will survive. Life will survive. And thrive. Not the same life that was here a billion years ago, a million years, ten-thousand, one-hundred, yesterday. But life will go on, and flourish, without us. Continue reading
Raccoons Chase, Attack Washington State Woman – NYTimes.com
11 JulLAKEWOOD, Wash. (AP) — A Washington state woman says she was attacked and bitten by raccoons after her dog chased several of the animals up a tree.
Send that raccoon to Washington, D.C. There’s some politicians there that need its most solicitous and gnawing attention. And check out Pom Poko, a great Studio Ghibli film in which raccoons–well, not raccoons, they’re tanuki, Japanese raccoon-like dogs)–rebel against the destruction of their land. They institute guerilla warfare against the humans.
It could happen here!
Note: The tanuki are shape-shifters. Rumor has it that Occupy Wall Street was started by tanuki.
via Raccoons Chase, Attack Washington State Woman – NYTimes.com.
What’s a Community Garden Community?
9 JulTwo questions, closely related, but not the same:
What’s a community garden?
What’s a garden community?
So, what IS a community garden? I suppose it’s a garden that, in some sense, belongs to a community rather than belonging to a private individual or organization.
In what sense CAN a garden belong to the community? There is the legal sense. This requires that the community form itself into a legally recognized organization and that that organization, in turn, owns the land on which the garden is created. But, legal ownership of the land is not necessary nor sufficient. The land can be donated, and it need not be donated to anyone or any group in particular. It need only be made available.
Gardens require labor. This IS necessary. Where does that labor come from? Why, from the community. People donate their labor to the garden, creating the beds, planting, weeding, watering, aerating, and harvesting. Where do the fruits go, the vegetables, flowers, herbs, and, yes, fruits? To the community.
And so it is with the Lafayette Community Learning Garden in Jersey City, NJ. While is has been organized out of the Morris Canal Community Development Corporation, MC CDC doesn’t own the land. The land has been donated, if only for a couple of years, by a local developer. Local businesses provided materials, supplies, food and drink on work days, and plants. The community itself has been providing the labor. Some people knew about the garden before ground-breaking and signed up ahead of time. Others pitched in when they saw things happening. Continue reading
Truth and Traditions 